An imprint is a project, unit or division of a record label, often marketed as a sub-label. There is no separate legal business structure associated with the imprint. Distributing, marketing and copyright activities are handled within the departments of the parent label.
- RED, owned by Sony Music
- Caroline, owned by EMI
- ADA, owned by Warner Bros.
- Fontana, owned by Universal
Not Major Affiliated
- Entertainment One
- Razor & Tie
The artist’s company would be thought of as the “Furnishing Party”, while the other company would be thought of as the “Receiving Party”.
The aim of of the inducement letter is to “induce” the Receiving Party to enter into the agreement.
An example agreement requiring an inducement letter would be a recording agreement between a loan-out company and a record label.
Typical terms include that the artist:
- attests that they have read and understood the agreement
- attests that the Furnishing Party has the right to enter into the agreement and that the artist will be bound by the agreed terms
- personally guarantees the fulfilment of the contracted terms
- will hold the Furnishing Party solely responsible for any income due to the artist in relation to the contract
- agrees that, if for any reason the Furnishing Party loses exclusive rights to their services, then they will perform directly for the Receiving Party.
Record sales to government institutions, like schools, libraries, etc, which may or may not include sales through PX stores. Many record contracts specify a reduced rate of artist royalty for institutional sales than for top-line records.
Interested Party Information Code/IPI Code
The Interested Party Information Code (IPI code) is a unique ID number used in collective rights management in 120 countries. It is assigned by CISAC to each Interested Party, totalling more than 3,000,000 right holders worldwide.
IPI numbers come in two types:
IPI Name Number
11 digit number used for names or pseudonyms of a person or legal entity. Individuals can have more than one name. (Reginald Dwight, Elton John etc.)
IPI Base Number
Code for an entity itself. Coded using the pattern H-NNNNNNNNN-C where:
- H: Single letter header
- N: ID number
- C: check digit
An interlude is a short sequence that often re-uses themes and feels from another section of the song. Literally, an interlude provides, when needed, breathing space between sections of the song. Interlude sections are almost always instrumental as they literally provide space for a singer to breathe.
A type of distortion that results in the addition of frequencies, not present in the original signal. These are normally derived from the sum and difference products of the original signal frequencies.
Each party has at least one ISWC role. ISWC roles are:
- A: Author, Writer, Lyricist
- AD: Adaptor
- AM: Administrator
- AR: Arranger
- C: Composer
- CA: Composer/Author
- E: Original Publisher
- ES: Substitute Publisher
- PA: Publisher Income Participant
- PR: Associated Performer
- SA: Sub-Author
- SE: Sub-Publisher
- SR: Sub-Arranger
- TR: Translator
Someone who adapts music is normally termed as the “arranger”. Someone who adapts lyrics is normally termed as the “adapter”.
ISWC are created in three parts:
- A prefix character
- 9 digit ID specific to the work
- A check digit
International Standard Recording Codes /ISRC
International Standard Recording Codes are unique, permanent codes, used to identify the specific sound and video recordings, be they either tracks or masters.
Codes can then be permanently encoded into products and used for future automatic identification for royalty calculation.
RIAA administer ISRC numbers in the USA. In the UK, PPL administer ISRC numbers. A unique code, that makes up part of the ISRC number, is assigned to each record label. The Record Label themselves then assigns the rest of the code, making up a complete and unique number for each recording.
Each complete ISRC code is 12 characters long, of the form “CC-XXX-YY-NNNNN”. The four parts of an ISRC number are as follows:
- “CC” – 2 character country code
- “XXX” – 3 character alphanumeric registrant code for the issuer
- “YY” – 2 digits year code assigned to the recording
- “NNNNN” – 5 digit annually unique ID number for a specific sound or video recording
The Red Book standard recommends the encoding of ISRCs onto CDs. For MP3 files, the ISRC number is embedded into the TSRC frame of the ID3v2.2 tag.
The royalty rate paid by foreign distributors affiliated with the domestic record label. The country where an artist was originally signed to a record label is the domestic record label.
So, if an artist is signed to Sony Records in the United Kingdom, then Sony Records U.K. is considered the domestic record label. When Sony Records USA sells a record by that artist, Sony Records USA pays an intra-company (within-company) royalty rate to Sony Records U.K.
Intonation is basically the alignment of the notes in relation to the position of the frets on the guitar neck. Adjusting the length of guitar strings affects the alignment of the notes in relation to the position of the frets so that they can be aligned. This is best done on a per string basis, with individual bridge positions for each string.
- It sets the initial scene of the song and gives the listener their first idea of what is to come.
- It establishes rhythm, tempo, instrumentation, dynamics, beat, key and atmosphere.
- Major chords give the song an upbeat feel
- Minor chords will portray a sad feel or feeling of loss.
- Often the introduction is an instrumental, usually featuring a variation of the main theme.
- Drums and percussion parts are sometimes used on their own to strongly establish the rhythm or groove.
- It can build a sense of suspense and anticipation, creating a feeling of release when the song steps down into the verse.
Arrangement-wise, it isn’t uncommon to have the lead singer sing the main hook of the song at a slower tempo, or a variation on the main hook may be sung by backup singers. This seeds the main melody in the mind of the listener. This can evoke a stronger reaction to the melody proper when it appears.
In terms of chord progressions, introductions often:
- use one or more bars of the tonic chord
- Use a standard “turn around” progression for songs with a jazz or blues influence
- Use chord progressions from the verse, chorus, pre-chorus, bridge
As the word implies, in recording it is best to keep all of the recordings pure, insulating the rooms to eliminate bleed.