Graeme Young

Graeme Young is a sound engineer based in the South of Scotland, starting his career after being presented with a Yamaha MD8 in the late 1990s by a friend who had despaired of figuring out how “the damned thing” worked. Brimming with enthusiasm as he learned his way around his new toy, he immediately set to work with gusto, creating some of the most abominable sound recordings of musical doodling ever committed to tape. Nevertheless, the heady times of fun and friendship that were built up in the early days convinced Graeme to go back to college and expand his knowledge and skill set, meeting contacts and learning the tradesman’s tricks from industry professionals. In the meantime, student loans were spent on studio equipment to expand on the trusty MD8 while the O2R96 and the old StudioMaster at the college provided experience of working in both the analogue and digital domains. Now, Graeme has gained years of industry experience working on a number of studio recordings and location recordings with professional musicians and in directing and editing video projects for professionals in various fields. Graeme has fronted two bands, the now discontinued Popping Cherries alongside Gwen Smith, who had fifteen minutes of fame on the X-Factor before being told by Simon Cowell that she would “never do anything” and now his own Moonstruck Project, with a loose collaboration of musical friends.

Blog Posts

Author Insights

From the Studio

Too Much Reverb

Less experienced recording engineers and music producers tend to use too much reverb and to use it inappropriately. Using reverb in the wrong way can create very muddy mixes with vocals that lack punch. You have several options to help you avoid these issues.

From the Studio

Info About Reverb

You can find out about reverb here: Reverb – Reverb, Delay and Echo – Reverb (Definition)

From the Studio

Patch Bays Multiply Your Cables!

Be aware, at a minimum, for each socket you connect via your patch bay, you will use 2 cables, where it is the default connection. You will use 3 cables if you change it from a default to make a different connection.

From the Studio

Patch Bays Save your Sockets

Before I used patch bays at home, the sockets of more than one expensive item of gear were damaged. It’s an issue that no longer happens.

From the Studio

The Three Instruments

Working musicians carry three different relationships with instruments. Mostly, we never separate them out. There are the ones you play – where you’ve played an instrument long enough that we don’t need to think of technique. There are the ones you can fake – where retakes and the forgiveness of a DAW let you get a passable part down that holds up in a mix. Live, you’d be exposed inside eight bars. Lastly, are the ones you understand well enough to write for – instruments you might never play, but you understand them, the register breaks, the voicings a player would actually choose. That last category is often underrated.

Songwriter's Notebook

On Writing Chord Progressions

I find the circle of fifths useful, but also chord_files “Progressions” and “Dark Harmony”, for both piano and guitar, are very useful. Both can help take you in quite interesting directions, by opening up your available palate, no matter where you find yourself when you go down an arrangement rabbit hole.