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copyright © 1999, 2000 by Dan E. Monk All rights reserved. No part may be reproduced in part or whole without express written permission. |
Working musicians carry three different relationships with instruments. Mostly, we never separate them out. There are the ones you play – where you’ve played an instrument long enough that we don’t need to think of technique. There are the ones you can fake – where retakes and the forgiveness of a DAW let you get a passable part down that holds up in a mix. Live, you’d be exposed inside eight bars. Lastly, are the ones you understand well enough to write for – instruments you might never play, but you understand them, the register breaks, the voicings a player would actually choose. That last category is often underrated.