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A song writing process is used to enhance the quality of your work and the speed that each work is created. This article provides tips on creating and using a song writing process, plus observations and suggestions about writing key aspects of a song.

This article is ideal for songwriters who either don't use a formal song writing process, or the song writing process that they are using is not quite working for them. By Songstuff
Song forms are generally made up of a number of sections that may or may not be repeated within the same song. Popular music is generally based on the use of traditional sectional song forms, or structures that are derived from those traditional song forms.

This article gives an overview of the different fundamental song forms, and it provides a basic understanding of common modern song forms. By Songstuff
Add some new tools to your song writing toolbox by learning about common song forms. This article describes how common song forms can be extended, and looks at some of the less common song forms, such as through composed songs.

This article builds upon the AAA, AABA, AB, ABC and AAB song forms, and upon compound song forms, explained in our other articles in this series. By Songstuff
Have you ever used a compound song form? As a songwriter, I bet you have. Compound song forms are far more common than you might at first think.

Building upon the AAA, AABA, AB, ABC and AAB song form articles from our series on song forms, this article explains common compound popular song forms that you can add to your song writing toolbox. By Songstuff
Keeping a song interesting is not as easy as it might at first seem. For example, how do you stop listeners getting bored and switching off? What can you do to help hold the attention of listeners until the very end of a song? Will varying song structure help? Would changing song arrangement and instrumentation be enough? What effect can be introduced during song performance? Will the song lyrics make a difference? This article helps to explain the variety of things that you can do, during song writing, song arrangement, song performance, song recording, song production and song mastering, to help you too keep your song interesting. By Songstuff

By Cheryl Hodge

What Does "Success" Mean in the Music Biz; and How Do I Get It?

I recently answered a question on Songstuff, and I wanted to share this with you. I used to ask myself the same question daily. In my twenties I was feeling overwhelmed on a daily basis.

Does one have to be a “fast talker"? Smooth? Perhaps it helps. I've seen it happen. If I were a fast talker I probably would have been successful long before this. Fast talkers; movers & shakers always seem to get the carrot before the other horses.

The Successful Musician - Making Money From Music.

How To Be Successful In The Music Biz

The Songstuff member posed the question 'how to be successful in the music biz?'; and I thought, “What do you determine 'success' to mean?" Success is in the eye of the beholder. I make a decent living from music, but I'm not rich. However, that's still a success story; since I'm surviving nicely doing something I love, thank you very much!

To begin with; if you ain't got a product, you ain't got a chance. It isn't like some great producer from Sony is gonna walk by your apartment, hear your music; be duly impressed and ring your doorbell, offering you a contract to sign. This is the age of the Independent Artist. Most artists have their own home studio. Mine is Protools; and I LOVE it... I'm just finishing up my next CD, right now.

It's taken a while to get great exposure (I'm old, now); and I have garnered some fans, but people really need to do a check-in when they start hoping that being a musician will equal becoming famous.

Because this is the digital age, I know of very few rich and famous folks in the field of music other than a handful of lucky pop artists (like Katy Perry, Michael Buble, and Adele),... SORRY. Your chances of 'making it' (i.e., being both rich and famous), are unfortunately, less than your chances of being kidnapped. You can check those figures; I'm not exagerrating.

I'm happy, though. Here are some of my "minor" wins (yes; in my book, a nomination is a "win"):

  • 2012: Nominated for Best Roots & Blues Artist, Kootenay Music Awards; top 10 Latin Beat Mag.
  • 2011: Nominated for Best Blues Song, Hollywood Music In Media Awards; top 10 Latin Beat Mag.
  • 2010: Nominated for Best Jazz Song, Hollywood Music In Media Awards; top 10 Latin Beat Mag.
  • 2009: Featured Artist; Coast to Coast AM with George Noory

Steps You Can Take Online To Be Successful In The Music Industry

How do I do it?

I wake up every morning and immediately go to the internet. I make tons of connections.

I use ONE source (Reverbnation.com) to send ONE daily message to most of my sites (Facebook, twitter, etc.), simultaneously. Takes a whopping 5 minutes. Then I check emails and immediately get back to the important ones (bookings, etc.)

I market (and update) thru the following sites:

  1. My own 2 websites
  2. Reverbnation (I do daily postings; mail-outs and enter contests from there)
  3. Facebook (5,500 followers)
  4. CD Baby (check sales; this aggregator sells to about 20 others; including iTunes)
  5. Songstuff.com (I check in a few times a week, here)

Just to maintain, I spend about 2 hours a day on the web. You see, it's all about killing several birds with one stone (apologies to the Audobon society!)

I'm not rich, or famous (not like many of you are dreaming of), but I make a great living, performing, writing, composing, arranging, recording, and selling my C.D.s and books, and I wouldn't trade that for the world! Success? Mission, accomplished!

Discuss this article in our Music Forum.

About Cheryl Hodge

Author - Cheryl Hodge

Cheryl Hodge has been in the music and songwriting business for well over 30 years; recording on several labels; among them Atco Records (Raindogs, 1990), and has released 4 CDs of her own; on her own label: Jazzboulevard.com Records.

She has performed her music for the last 10 years with noted jazz guitarist John Stowell (amongst many others), and they are about to release a CD of co-written originals. She has been private instructor to many; including the gifted Paula Cole. She is also the author of "A Singer's Guide to the Well-Trained and Powerful Voice", and is a published vocal arranger.

Cheryl is currently the head of the vocal dept. at Nelson, BC's: Selkirk College Music Program. There, she teaches Songwriting and Advanced Songwriting, Business of Music, Arranging and Vocals.

She continues to write and produce her original materials, and has just released "Cheryl Hodge: Original Article" - a compilation of her favourites.

Cheryl Hodge - Full Site Crew Profile

Cheryl Hodge On The Internet

For more info, visit:

Cherylhodge.com

Jazz and Blues Artist Cheryl Hodge - Facebook Page

Jazz and Blues Singer Cheryl Hodge on Reverbnation

Jazz Boulevard

Contact Cheryl Hodge

Related Articles By This Author

What Does Success Mean in the Music Biz and How Do I Get It?
How To Survive In Today's Music Business Recession
Protools And Me (The Singer/Songwriter)
The Golden Rules on How To Rehearse or Lead A Band
Today's Pop & Rock Vocalists: What Comprises Good Vocal Technique?
Hecklers: How to Deal With the Jerk In the Audience
Can Pitch (Intonation) Be Learned and / or Corrected?
When (and How) a Singer / Songwriter Should Manage Themselves
Tricks to Developing More Confidence on Stage
Vocal Warm-ups for Songwriters Who Sing on Their Own Songs
When (and How) to Sing Your Own Songs
The Human Voice: My Favourite Wind Instrument
Take It From the Bridge